Archived entries for

Protest Sketch

From an email I received today:

Invitation to a Sketch-in Protest
@ National Gallery of Victoria
(NGVi & NGVa)

Friday 10 December, 2.30pm

The National Gallery of Victoria now prohibits all forms of sketching and notemaking in its pay-to-see exhibitions. And it vigorously enforces this prohibition. Artists, art students and others making any form of notation in these exhibitions are approached by NGV security personnel and told they must stop.

General consensus among artists, art students and others affected by this miserable rule is that it is “absolute bullshit”.

Artists, art students and others are planning a protest against this NGV ‘No Sketching’ madness. (“See something in Melbourne to really scream about.” NGV International advertisement, ‘The Australian’, 4 Dec. 2004)

The protest will take the form of a sketch-in.

Please join us.

We are asking that protesters arrive individually and quietly, buy a ticket (sorry about that, another issue for another day: why, for instance, was the Colin McCahon show free at the Art Gallery of NSW and pay-to-see at the NGV) to either the Munch exhibition (NGV International) or the James Gleeson exhibition (NGV Australia), and enter the exhibitions. Arrive and be inside well before 2.30pm. Enjoy the work, or not, as the case may be.  Should you happen to bring with you a small pencil and notebook, perhaps in a pocket, at 2.30pm the sketch-in begins.

At the appointed time, each of us will take out a notebook and pencil, and begin making whatever sketches or notes we feel inclined to jot down. Whether this be sketching, copying, reviewing, information gathering (copying information from NGV labels in these exhibitions is not permitted), doodling, creating original art or just adding to one’s Xmas shopping list … just behave normally. That is all we are asking to do.

Don’t block others’ access to the artworks. Don’t give the NGV authorities any justification for their present shameful behaviour.

There is not going to be a march to the barricades or similar mass arrival. When artists arrived to protest against NGV treatment of artists’ rights in 1975, they found that the NGV had closed off all its galleries of Australian Art. Maureen Gilchrist reported in ‘The Age’, (Local artists call for better deal: 22 August 1975), “Before the  meeting National Gallery staff stripped the walls of the Australian gallery of most of its paintings in case of violence. But the gathering was peaceful.”

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VogBrowser

Kenyatta’s VogBrowser made Wired.

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A Guide Dog’s Blog

It’s a Guide Dog’s Life is a blog by a guide dog. Well, not really but you get the idea. It’s written by the owner of the dog, and came as a result of a suggestion by one of the students who started blogging in network media this year.

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John Tolva

John Tolva has a blog, and I’ve just added it to my rss feed. (Thanks Matt.)

John co wrote the Hypertext Cafe paper from several years ago which used Storyspace to mock up a multilinear video narrative. What is significant in the paper is a series of terms and ideas that John (and David) introduced. These are all things that can be done reasonably easily in QuickTime, things like time based links, responding to mouse events, and so on. Just wish I could invent the time to make it.

SCENARIO: Wide shot of a cafe with several busy tables. Mousing over individual table lets you hear that converstion. Click will introduce a new video with is a Medium Close Up of that specific table. (When you click makes a difference.) Eg, table three has three women talking about their weekend. If you mouse in and listen at the beginning, and click, you will hear episode one about, let’s say, the kids birthday. But if you mouse in later on, or click later on, when they’re talking about a rumoured affair, that is the conversation you will see and hear. The combinatory possibilities are complex – after all when you zoom back out imagine if because you heard the conversation about the rumoured affair and you then moused into table one, one of the parties to that affair was discussing it. This would only happen (perhaps) if you first heard the affair via table three. Or vice versa. A similar scenario could operate around the children’s birthday party. This would be a multilinear, multisequential video work. It is ergodic because the users actions are non trivial in relation to the text – when you do something fundamentally affects what happens. This is a key feature of something that is genuinely interactive. Interactivity must have consequences in and for the work itself.

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Apologies and Gender

Over lunch I’m trying to catch up on some blogs. Since the Info Tech boys here turned on the firewall all sorts of things are broken. For instance my rss client. Luckily there is a proxy I can use that doesn’t require authentication, and that’s what I’m using at the moment. Until they turn that off too. Which brings me to Liz’s entry on apologies. It would be nice if the IT people actually apologised for the problems they’ve caused. Most of my software can no longer auto update, rss got broken, pings from student blogs don’t appear to be getting through, and so on and so forth. A good apology, as Liz notes, would go a long way.

But that’s not what drew me to Liz’s post. It was the overheard phone conversation between a man and a woman. This I enjoyed because, well, I’d be that bloke. My immediate reaction would be that something needed fixing and that it wasn’t that big a deal. Unfortunately lots of blokes think or act like that. Which is frightening and dumb, and why wars start. Empathy is all that is needed. That’s why apologies work, they are empathetic because they recognise responsibility and the position of the other person. Acknowledgment is important, so Liz’s post is good as a reminder of what ought to be done.

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