Monthly Archive for November, 2006

Just a Quick Reverie on Research

Well, we all know that for students (and anyone else) the problem is no longer a paucity of specialist information but an excess. Once upon a time it might have required a trip to the card catalogue, then searching some books that specialised in documenting sources, or more recently some CDROM databases that indexed journals. The next step would be to search the library for copies, photocopying them, and reading them. In many cases you would need to complete quite detailed paperwork to request the material from another institution.

Now, if you are doing substantial research, you might still do all of this, but only if that is your primary job. For everyone else (students, busy professionals), we have different strategies, and much more friction free access to research materials (regardless of the quality of the outcomes of such research strategies). Visit the library online, search the journal databases online, tick the boxes, receive the pdfs.

{Now if only there was decent concordance software for the desktop you wouldn’t even need to read them, search for the key term, find them all in context, skim it and you’re done.}

So, for contemporary students there are two three skills required:

  • How to find information properly (you know, step beyond Google, as well as actually using Google properly)
  • How to farm this information successfully
  • How to understand this information (how it becomes knowledge)

The first is easy to teach, though harder to get students to own. The second becomes a key part of network literacies, since we now have an enormous variety of tools to find things (RSS subscriptions from relevant blogs, tags in CiteULike, announcements of contents of new journal issues, and so on) and then various strategies for harvesting this (social bookmarking, blogging, tagging, Yojimbo like systems). The third is much more old fashioned. You can only successfully farm information into knowledge if you have a grounding. You get this grounding from reading, the sort of reading you do because you enjoy learning, reading a lot and letting stuff (all bits and often wrong) get stuck in your head.

This is the difference between naive research (which confuses information as knowledge and has no way of shifting the mass into value) and an informed research. The same conversation could be had about art and design practices.

Tags: practice, tools

Storyspace for MacOS X

Mark Bernstein wonders out aloud in his blog about my earlier comments on Storyspace for OS X:

Tinderbox does give you more export options, though, and the presence of those export options might in fact be a hurdle. Knowing that you might be destined for HTML can lead to to start working on graphic design too early, before you really get down to writing, perhaps before you’re certain that there’s something to be written. More than once, I’ve been left with a nice design for a project that didn’t pan ou

I don’t actually have a real answer. I know perfectly well what Mark means, and that I could write an essay in Tinderbox just as easily as in Storyspace. I’m not sure if I prefer Storyspace because that is where I started, and familiarity breeds comfort (and ease), or if it is that very close to the surface in Tinderbox there are lots (and I mean lots) of things that you could do. Add user attributes, color the nodes, write an agent, decide you should add some attributes to help structure things. Before I know it I’m writing a Tinderbox document not an essay. In Storyspace I don’t have this problem. There are links, there are guard fields. If I’m using Storyspace to get to the web then the guard fields don’t even come into it. So it isn’t that I start designing in Tinderbox for HTML presentation but that I start fiddling inside Tinderbox itself. Why? Because it is so close to the surface, I know it is there, I now how to ‘turn them on’. I guess in my hypertext text tool box I have two key tools, Storyspace and Tinderbox, and I keep using them as two separate tools (as any good tradesperson ought).

Tags: Hypermedia Theory, hypertext, tools

Another Trailing Note. Linked Video

In the lecture I gave on Saturday night at Mediamatic (I’ll add slides, etc in coming days) I showed some examples of softvideo, but didn’t demonstrate a movie with good old fashioned links in it. So here is an example of a video with embedded links to webpages. Ignore me talking (that’s supposed to be an ironic poke at the North American journalistic videoblog practice of filming yourself) but wait for the links to appear, the first is around thirty seconds. By the end of the video there are three links present. Clicking on any of them will pause the movie and load that URL (the first link is now officially broken since I deleted an old del.icio.us account!). If you click the first link later in the movie the movie automatically returns you to the time in the movie when that link appears so that it appears in context. Clicking the vog.rmit badge takes you to the blog entry for this video.

Tags: hypertext, practice, softvideo, Vogging

Why Blog for Documentary?

Sounds like that bumper sticker about fighting for war. After the OzDox panel the other night, and being a guest at Mediamatic and IDFA in Amsterdam, I realised that I don’t think a very clear discussion, or case, had been made for why you might have a blog if you were a documentary practitioner (as opposed to thinking about developing a documentary that was part blog, part distributed media). So, if you were in the business, craft, or profession of making documentaries, why would you have a blog?

This is my rough quick list (this is not a ranking).

  1. to document, discuss, reflect and engage with your own practice
  2. to promote and build awareness around your current project
  3. to spread promotion and recognition across the life of the entire project, and not just post-release
  4. so you have a network identity (when someone Googles you, or your project, they find what you say about things first)
  5. to present work in progress (brief rough cuts, for example)
  6. to present parts or all of your footage that ends up on the floor
  7. to solicit, by invitation or discovery, new material (people find you – see 4) relevant to your project
  8. to develop your own network skills so that the leap from old to new is lessened
  9. transparency about your process, which complements the implicit ethics of documentary as a practice
  10. to provide another way of contributing to your community (of documentary filmmakers, and the subject or subjects of your documentary work)
  11. Any others that I’ve missed? I can see I should turn this list into an essay. (Reference to future self, this should be an interactive video essay.)

    Tags: documentary, hypertext, practice, Research Proposals

A Trailing Note…

Well, I tried to show ning at the end of my last day at mediamatic and things didn’t quite go to plan. So, a note to Tony and Debbie, to add videos to the Ning googlemap mashup simply click the Add a Video link at the right side of the page, set up an account, and you can publish videos. This is to the public (group) ning video site, which is not the same as setting up your own ning video project.

I have uploaded some video in there, and added it to the google map, as an example. The first is from out the front of Mediamatic, the second was in the foyer. This link should provide a map showing the two that I’ve added.

Tags: Lifes Little Pieces

mediamatic workshop, November 2006




mediamatic workshop, November 2006

Originally uploaded by vogmae.

This is the workshop room at Mediamatic.

Tags: miscellany

Media Paucity

Once upon a time there was broadcast media. Broadcast media owned access to a very scarce resource called spectrum, or sometimes cable. This resource was scarce because you could only send one thing at a time – so to be successful you needed to saturate that channel with continuous broadcasting. This was further developed so that programming mirrored (and constructed) a diurnal pattern of content delivery that wove itself into familial, domestic schedules. As a consequence of this access to these channels is extremely valuable. If I am a television maker then I require access to this highly constrained channel, without it I have no product.

(This is much like supermarket shelves, which are also highly constrained and notoriously expensive – if your product can’t get access to those shelves, it’s dead. It is very simply a retail model of product.)

Access to this channel defines commercial practice. Prime time earns more than midnight, and there is the corresponding assumption that producing for prime time will cost more than producing for after midnight. This is an economy media paucity, not because there is not a lot of media being made, but because the possibilities for publication are so highly limited (movie screens, television stations).

These days are now gone. With the rise of networked delivered media this economy of scarcity is erased. This has enormous implications for professional media practice because now media consumers (you and I) experience an excess of media – in exactly the same way that we now have an excess of information. Because of this access to excess, of an any-media-whatever-whenever media professionals are now in a media field that is saturated by all comers. In this environment, what is it that professionals have that ensures that their material would be viewed before or instead of anyone elses? If you don’t have an answer to that I’d be worried.

Tags: Hypermedia Theory, practice

Another Group Video Blog

Appears to be a new group video blog on the block. Welcome Hoffmadness!

Tags: Lifes Little Pieces

Workshop Day One

Am in mediamatic, after having given a presentation this morning. In a large building that was once the major mail handling building in an industrial dock district. Mediamatic moved in, some architects, now it is a hub of cultural activity and urban renewal. Ten workshop participants, in a room with long benches, everyone has a fancy PowerBook, and we’re up to developing projects. Hardware: the computers, Korsakow authoring engine, a mobile phone with rfid reader and rfid tags, still cameras, video cameras, editing software, has a lot of potential. Next door is the kitchen. A big (bloody big) coffee machine, simple catered lunch of inked pasta, fresh bread (it is The Netherlands, they do great bread), and juice. Place has a very nice feel.

Tags: Lifes Little Pieces

Theories and Practice of Blogging

From Tama: the “Special Issue of Reconstruction on ‘Theories/Practice of Blogging” is published. Academic publication on blogging, check it out.

Tags: Network Literacy, practice