Monthly Archive for May, 2010

What Should an Honours Program Do?

researchRoom.jpg
Perhaps that should be “what should an honours program be?” I’m involved in developing a school wide honours program, which is tricky as there are a lot of very diverse disciplines and undergraduate courses involved. There is a man with a van amount of paperwork that needs to be done for approval which I’m working through, as well as a variety of consultations and the like that need to be undertaken. As is pretty usual with these matters the compliance documentation pays much more attention to demonstrating industry need and viability than demonstrating good pedagogy or research outcomes. Disappointing, but not surprising, and not unreasonable I guess given the cost of running a program so you need to know it will have students, rather than running it just because it is a great idea.

As part of this process I’m holding a second planning day, partly to help people get on board with what honours is (being a once upon a time institute of technology we have many staff who think that spending another year at university after they have delivered their industry wisdom to a student is just, well not daft, but dangerously intellectual), and then the harder problems of how and why it should be taught. To help conversations like this I provide or seed the debate with some points, so that we don’t spend half the day thinking up these points, but can use them as launching pads.

So, here we go. (Insert sound of tentative rolling up of academic sleeves.)

  • honours should always have research outcomes
  • honours research requires the investigation of a dense or messy problem
  • a dense problem is something that you don’t already know the answer to yet
  • a dense and messy problem requires you to change your understanding to address it
  • such problems can be theoretical writing, they can be about practice, they can be about making, they can also arise in doing each of these things
  • the investigation of this dense and messy problem can be via thesis, project or via practice
  • the investigation will produce outcomes that can be in the form of a thesis, a project and exegesis, or a portfolio and exegesis
  • all honours students are expected (and required) to be able to write to their work
  • all honours students are expected to read, and utilise in their practice, relevant theories
  • a theory is a proposition that is grounded in, and arises within, an informed practice of thinking
  • this thinking might not only be in words, but the exegesis requires you to use words

That’s the first list. I’ll see what it feels like in a few days. Also need a similar list about learning and teaching outcomes, or models. If you get this figured out first, and people on board, then you have a map for how to teach honours, this matters much much more than the specifics of what you actually then teach. That keeps changing. The deep structure of the why of the teaching, that’s the pointy end. Most academics don’t get this, being content experts and all.

Tags: honours, Lifes Little Pieces, pedagogy

Bookmarks for May 14th through May 31st

These are my links for May 14th through May 31st:

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e-fagio video show

So, email arrives with call to submit work for ‘videophagy’ an online video exhibition in Toronto for later this year. Send it to students who are all making major k-film works as some of these will be good enough for exhibition. Then I notice this;

The selected works will be featured in our website and presented as a single channel video.

No, it really isn’t a blockquote but I thought some emphasis wouldn’t go astray. This is just so symptomatic of where things are at. The number of online video festivals, exhibitions, shows that call for work, have all the boosterist rhetoric of innovation, art, access, and so on, and then define online video as single channel video. ie An image and sound track. One of each. Like, you know, what you watch on TV, or in the cinema, or via DVD, or on your iPod/Phone/Pad (given that nomenclature what’s next? Pen? Paper? Postit?). It is frustrating that the more challenging and interesting work being done in this space, which is multi-channel and ergodic, remains so much at the margins. There is work out there, but it remains unseen and unknown because video on the web remains completely under the sway of linear televisual aesthetics. Inspite of all the chatter, traditional conceptions of video hold enormous hegemonic force online. I still don’t quite get why.

Tags: Network Literacy, Vogging Theory

Curriculum Notes

This is the very brief presentation I made to our new Dean earlier this year outlining our approach to pedagogy in the media program. Important to note: some of us drink this particular colour of Kool-Aid but it would be unreasonable and inaccurate to say that all of my colleagues are on board with this stuff.

Tags: Network Literacy, network pedagogy, pedagogy

Interactive Entertainment Conference

IE2010: The 7th Australasian Conference on Interactive Entertainment 21-23 November 2010, Wellington, New Zealand.
http://ieconference.org/ie2010

Never been, but call for papers now out.

Tags: cfp

Bookmarks for May 5th through May 12th

These are my links for May 5th through May 12th:

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Open Video Conference 2010

This yeas Open Video Conference is calling for proposals. They have a scholarship like scheme in place to help with travel if required. Probably the premium open video event there is.

Tags: cfp, network practices, Vogging Practice

57 Fragments – Fade to Black

Fragments has been updated. More material, also built with the latest version of Korsakow. There is now a playhead under the video, and if you leave the mouse in the play space a ’share’ button appears which provides shareable HTML code to the individual clip within the project. Early testing indicates that there may be some performance problems (thumbnail links that don’t appear, even possibly video clips that just won’t play), we’ll see. The earlier version is archived via vogmae.net.au/fragments02. The first version is at vogmae.net.au/fragments01.

I’ve been working on the Fragments project. One of the things I’ve been working with in this project is the use of video material that is just shot as is. Preferably just single shots, and as much as possible no edits, or if you prefer I’m editing in camera but also striving for single one shot takes. This is because I’m interested in quick, lightweight, simple and dirty modes of working. For developing a style of practice that sits easily with video as mobile, disposable, informal, tactical, minor, transitory. It is not about making films, in the same way that doodling and making notes, comments, observations and lists in my moleskin is not writing a novel. It is a thinking through doing, in the latter through words and in the former with video. This is of course now possible because video is as good as zero cost to shoot and edit, unlike how it was only a few short years ago. Why? Because I work and teach in a Media program and regularly attend, hear, read, material that still approaches video practice as about the ‘program’ or the ‘film’. It is like thinking that all writing is only about the novel, yet poetry (in all its extraordinary forms), song lyrics, let alone transitory writing (a diary, notebook, lists) is as significant to writing culture and practice as, of course, the novel.

So, as I’ve been sketching away there have been a couple of sequences that I’ve edited together, but the majority have been single clips. But there is something not quite working, and so I’ve added a fade out to the end of each clip. This is to indicate to the user that the clip is finished (after all it is all networked and so a clip may pause due to bandwidth constraints), but there is also something deliberately cinematic about the fade that I’m also liking. I’m quite intrigued by this, as there is a great deal in what I am doing that could be misconstrued as anti-cinematic (it is, in fact, the opposite) and so use of something like a fade to black – in such a conservative manner – might appear as almost a cinematic supplement (in Derrida’s sense). But no. The fade and the grab bag of cinematic visual effects is not some outside to the video practice happening within Fragments,for this work exists in a post digital economy of practice where as a fully digital process (from whoa to go) it just becomes absurd to think that effects constitute an outside. It is all and only malleable, but as I hope this project also indicates, we can still watch, see and record parts of the world. This connection matters to me, and is perhaps why I’ve always been experienced environments like Second Life as so, well, thin.

Tags: Vogging Practice

BlogTalk 2010

Name says it all. Blogtalk 2010 details out.

Tags: blog teaching, Network Literacy

Interactive Digital Storytelling

Third International Conference on Interactive Digital Storytelling. Endinburgh (a damn beautiful city, though I’m told Glasgow is where the action is). This would be an interesting conference to get to. No money in the institution, so won’t be trying to get there, but will keep an eye on the site to see the sorts of material it attracts and that gets presented. Be a good place to present some stuff on online video narrative, and so on.

Tags: cfp, hypertext, narrative, Vogging Theory