Approaching the Impossible Image: Diary of a Country Priest

Just uploaded a not very good scan of my 1992 Master’s Thesis on Bresson’s Diary of a Country Priest to academia. Close reading that critiques deconstruction in relation to cinema studies, and uses Austin’s performative to understand the temporal economy of the film (from memory). Found it during my office move.

(1) Approaching the Impossible Image: Diary of a Country Priest as a sacred narrative | Adrian Miles – Academia.edu.

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