As part of my current research leave I have committed to completing an application to the Australian Research Council for a Discovery Early Career Researcher Award (DECRA). They are prestigious, valuable, and now rarer than hen’s teeth. As I try to write a project, which revolves around creating what I hope will become computational or procedural nonfiction, I find I simply can’t write funding applications. The issue is one of genre, and at this stage I just don’t grok what is required. The feedback I continually receive is that I do not outline or propose a project, but instead what I write always comes out as an essay. So I’ve surrendered and taken the sensible, pragmatic view of writing what I write and then handing it off to colleagues who will critique it. The second advantage of this is that the deadline for the proposal is a long way off, and this is the sort of writing that so easily becomes interminable. Write, rewrite, change that paragraph again and again and again. It swallows your time like some sort of lexical black hole. So, draft it, get it near enough, hand it off. Otherwise I can see a month lost to ten pages for a proposal that I has about a 2% chance of receiving funding.
Strategies for me: scale it back, calling it already computational nonfiction already assumes an understanding of what the computational and procedural is, and why it matters. Similarly calling it nonfiction (because I’m interested in things beyond documentary and its film and video heritage to include forms of life writing and how social media can become modes of documentary practice) also probably generates too much abstraction, too many leaps and gaps, for the assessors. Wind it back, just call it computational documentary for now. (Particularly since the people who will probably assess this are likely to be much more familiar with media studies and cinema studies than they will with code, software, materialist media studies.)