Archived entries for practice

Desert Island Research Readings

I just sent this to staff in my school, but WTF, let’s take it off the reservation:

The new honours program is about to start with over 30 students, including four from other universities and two from elsewhere at RMIT. Staff have, to date, provided over 40 possible research questions/topics for students, so thank you!

The next step is to try to ‘seed’ research strategies for these students in a way that can accommodate their diversity of disciplines, practices, skills and abilities. Which is where I’m asking for your help. I am wanting to compile (and share) a ‘collection’ of the key research methods texts/essays that we rely on. Very simply, what was/is the one thing you have read that you would always recommend that is about doing research (aka Desert Island Research Reading)? It might be about a specific method or something more general (a specialist essay on action research or your favourite book on How To Write a Better Thesis). If you want to suggest two, knock yourself out, but I’d really appreciate one to start with.

How? Well send me the citation, and ideally a couple of sentences about why it matters to you and if there are specific disciplines you think it is relevant to. Personal is fine. I’ll collate them. You can either email this to me (adrian.miles@rmit.edu.au) or use the google form I’ve created.

Tags: ,

Edit Versus Writing

So I hit that point in my writing where I couldn’t figure out how to end, or quite what had to happen next. If anything. That is when I know it is time to step free form drafting, print it all out and start editing. Stage one is the sketch. Stage two, where I need it on pages, is the sculpting of the form. Stage three is the polishing. This chapter, which is about affect, interactive video and I guess what I think is the poorly titled ‘database cinema’ has been good to write since it is for a multilinear electronic format (Scalar) so it can be granular, open, and porous to its own meanderings.

Tags: ,

They be Butterflies

As I try to finish writing a ‘chapter’ for an anthology I am meeting those hard bits where the ideas sing and dance their own bits back at you. They talk back, push back, shaping the writing and argument in ways unexpected and unconceived. Every now and then a really good one seems to arrive. Thrillingly good. One that, if you were that sort of writer, probably deserved a chapter of its own. When this happens I get butterflies in my stomach. Isn’t there something amazing that writing about ideas can have such a corporeal thrill?

Tags:

Current Tools

The things I use a lot on my MacBook Pro.

Research

  • Mendeley
  • TweetDeck
  • Google Reader
  • Ecto
  • Scrivener
  • Papers
  • Tinderbox
  • Mailplane
  • Posterous
  • Evernote
  • Keynote
  • Compositions
  • Google Chrome
  • Firefox
  • Kindle for OSX

Video and Graphics

  • Korsakow
  • Photoshop
  • iMovie
  • QuickTime 7
  • Compressor
  • WordPress
  • iPhoto

Social Media Related

  • TweetDeck
  • Google Reader
  • Ecto
  • Delicious extensions

Organising

  • iCal
  • gCal
  • OmniFocus
  • Bento
  • Evernote

Network Geek

  • Transmit
  • Ecto
  • BBEdit
  • Coda

Services I Rely On

  • Google
  • Google Scholar
  • Mendeley
  • Flickr
  • WordPress (.org and .com)
  • Twitter
  • Kindle Store

Hardware

  • MacBook Pro
  • iPhone 4s
  • Sanyo Xacti

Tags: ,

Histories of Film Theories

This site is archiving the Histories of Film Theories which is, as far as I can tell, an informal coalition of the interested looking at historical contributions to theory of cinema, ie writing on the cinema from then. They have an interest in translating work, and a list of some very cool looking conferences.

Tags: , , ,

New Media Writing Prize

Bournemouth University has a very good media school. Well, better than very good really. And they run a new media writing competition. This is a very good idea, and if it keeps going has the opportunity to become something very special. Think Man Booker for new media. Flattered that I know two of the finalists too.

Bournemouth has the Centre for Excellence in Media Practice. I think I need to try to visit. This is so in line with what I am doing, trying to do, thinking in terms of media pedagogy, the post industrial media project, and the new honours.

Tags: ,

QuickTime Got Broke

Finally part aside the time to begin the rebuild of my vog site. The problem, as I recently discovered, is that the QuickTime plugin no longer seems to support much of the deep programmatic interactivity that has been a part of QuickTime since, well, it was a twinkle in JOb’s eye. (A lot of the work that was going to become a bigger new Hypercard actually got put into QuickTime.) This means nearly all of my online video work doesn’t work. But it does in QuickTime player. So the plan was to rebuild the site, using HTML5, and target the QuickTime player, taking advantage of the JavaScript libraries that Apple provides that let you do nifty things. Except, well, fuck me. The most recent QuickTime player, that dumbed down thing that, dare I say it, is all about surface and polish but is empty underneath. Well, that is just like the plugin. All the programmatic goodness has been stripped out of that too! QuickTime Player 7, which is still available, works just fine. But this means most of my stuff will now only work if I put up some sort of declaration saying “open and play with QuickTime 7 please, you can get it here”. But I can’t target it.

I don’t know what Apple’s rationale is here, except to shift all the stuff about video and QuickTime towards iDevices and production (Final Cut). In other words they’ve taken a sophisticated technology and stripped it bare, dumbed it down, turned it from a programmatic form to just a media container for making and delivering. A moment worthy of, well I was going to say Microsoft but that might be a bit harsh. At this point I have no idea what I will do. Perhaps make all the work available for download so it can be played locally with QuickTime 7. Perhaps make a 100 screencasts of what they actually do and turn the site into a bloody archive.

Tags: ,

2015 Second Riff

A second riff on thinking about where a School of Media and Communication could be by 2015. We will:

  • have a scholarship program for students from developing nations in the South East Asia – South Pacific region
  • have a critical group of teacher researchers leading a rethink of media and communications in a university of technology by imagining what such a thing would look like if it were created now, not back in an era of industrial media
  • let students be co-creators with staff in knowledge making
  • have students involved in curriculum development
  • invite students to undertake staff training
  • have an annual student run unconference that is available online to all
  • not be in a building that has the colour scheme of a 1960′s hospital
  • have students curating the atelier on a regular basis to show what they do
  • be known for innovative practice in terms of the artefacts we create and how to teach and do, not just for our ‘content’
  • have a program or intensive course that is dedicated to experimental teaching and research in media and communication

Tags: , , ,

2015

There’s a bit of a project underway in the School of Media and Communication (where I am found) which is to think about where, what and the like for 2015. Where would we want to be in 2105.

First off, the time frame is too short since if we are serious about genuine change it just takes longer than this. I was involved in the rebuilding of the curriculum in the Bachelor of Communication (Media) degree, and more recently the new honours program (of which I’m the Program Director). The media program threw out our entire curriculum, and then rebuilt it. I reckon it took us 2 years to work out we wanted to throw it out, and to get an idea of what we wanted in its place. In that time we still had not really worked out the third year of the program. It took another 18 months or so to go through all the regulatory hoops required for such an amount of change. Then we started teaching it, tinkering as we went.

So, 2015, is only 3 years away and in that time I guess where I would want the school to be is in being well down the path to fundamental change in its curriculum and probably pedagogy. I don’t care that much what the programs are called, they can keep their current names if necessary, because I think that sort of rebranding, even it if produced some new whiz bang degree of new-you-beaut-this-is-the-model for media and communication studies at university this century, if the how and why of the pedagogy is untroubled then the model is deeply broken.

However, I don’t think this is possible in three years. A university department is slower than an oil tanker to turn around. There is the dead weight of the administrative compliance regime that pretty much doubles the time to do anything, and then of course there is the issue of simply finding the time, energy and goodwill to engage with the idea of change. Academics, even radical thinkers, are surprisingly conservative about a lot of things, and curriculum and pedagog is one of them, so in three years I would think change would be started, but not implemented.

Hence an alternative could to be trial something quickly, at the margins, in an agile sort of way. What I was thinking was having a lab like environment which might be available to a common cohort of students for one year (two semesters) which was just, well, educationally out there. Engaged, making, multidisciplinary, process orientated. Risky. Not for all students, and certainly not for all staff. Somewhere to test and see. If it works then it can be expanded (and if it doesn’t it gets changed, or reversed). Students would stay in their existing degrees, so not a lot has to change. Then I realised that each degree is made up of specific subjects with very specific learning outcomes and so even this is actually quite hard to do. If not impossible. It is like the apparatus of the university requires you to make something, plan it, without ever having the opportunity to test it, then implement it (which is actually the testing of it). If it fails there is no fall back available, the program simply is terminated. It is the antithesis of the creative, innovative practice that underwrites all those examples universities are fond of using to illustrate to us how they would like us to be! (This realisation can very dramatically erode your morale and desire to be an agent for change in an institution like a university. Even where it doesn’t the experience of continually banging your head into this sort of arse about inertia can wear you down to the point where you just surrender, opting for the course of least resistance because to try to achieve change is a black hole of a truly Kafkaesque universe.)

So, if necessary, set up an experimental degree program in media and communication. Even call it that if it helps to give you the wriggle room needed. Open to all. Not tied to any discipline or practice. Make knowledge. Make knowledge objects. Leave a trail. Of critique, making, intervention, and discovery. Turn the university upside down so it becomes about learning and research at the same time in the same event. A Bauhaus for media and comms for this time – but not the sort of stratified curriculum and model of the Bauhaus. But that is where I would want the school to be headed for in 2015. From this, then let it work its way out so that other students, other staff can participate, get the idea, and take it home. So it could have teaching internships for school staff, 1 or 2 a semester, with the requirement that they take something from this place back to their own programs to implement.

That was my first riff.

Tags: , ,

A New Game?

Stumbled across the Lytro camera yesterday via TidBits. Game changer in its own way this one. It is a digital camera but it captures the ‘light field’ which means all the information in the shot – including information about the light waves. This means you don’t focus. You capture. Then when you view the image (electronically, for anyone) you can then manipulate the image, forever. For instance you can always change, vary, play with the depth of field. Want it all sharp? Change it. Want foreground and background soft? Change it. This, in my theoretical argot, is what I would call ‘softphotography’ where the photographic artefact, as a condition of itself, remains always malleable and open even in its ‘final’ form. They call it a ‘living photo’.

Why is this so interesting? Well, depth of field and focus are very basic formal qualities of photography. This removes these from the photographer to the viewer and the technical system. Imagine a large image that has things ‘embedded’ in it so it starts soft and as you progressively shift the focal plane other things are revealed. A sort of spatial narrative. This is pretty much the same as how serial order to a narrative is removed from only being the author’s prerogative in hypertext. (Yes, yes, I know, there is still an order, I know that. This is not a riposte to hypertext and its progeny. It is a casual truism that when I narrate or read that there will be a single order that happens. The issue is that now there is not one order available, but several, and it is that that makes the difference – a difference that matters.)

Then imagine if this happened in a video. Whoa. Focus pulls now happen for the user, not the Director of Photography or Camera Operator. We can change focus at any point, any moment. Imagine a Renoir with technology like this so that narrating in depth becomes a playful unveiling of what might be there, if you do something to look (or conceal?)

The-Rules-of-the-Game-La--004.jpg

So this is exciting as it is one of the first times that a genuine change in the ontology of the thing has happened in this context. Flickr are still photos as traditionally conceived. YouTube, inspite of some developments around ‘deep linking’ still treats video as a particular sort of artefact – there is nothing changed in how I, YouTube, or you, need to conceive of video in itself when I go or publish to YouTube. But a Lytro image, that is a different thing altogether.

This means, I supposed, that I’m a deeply old fashioned formalist as it is the ways in which the digital and networked shifts the ontological basis of media forms that really excites me. That is my passion, my longing. And it is why I’m still waiting for it to happen with video.

Tags: , ,


Copyright © 2004–2009. All rights reserved.

RSS Feed. This blog is proudly powered by Wordpress and uses Modern Clix, a theme by Rodrigo Galindez.