Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts, Bartscherer, Coover

Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion. 

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COST | New Materialism: Networking European Scholarship on ‘How Matter Comes to Matter

Scholars presently exploring “how matter comes to matter” call themselves new or neo-materialists. They do radically interdisciplinary research based on the conviction that the current economic, ecological and political crises as well as technological advances and everyday practices do not allow a conception of “matter” as (an) object(s) that could be captured along traditional disciplinary lines. Stock market crashes, earthquakes and the increasing complexification of political and social systems (and their breakdowns) demonstrate active interventions of materials previously regarded mute or socially constructed. Meaning-making “to matter” does not occur only in the linguistic frameworks academic research applies to phenomena and crises in a retrograde move. The current European new materialist scene is vibrant but remains largely dispersed compared to the U.S.A., which dominates discussions at the moment. This Action wants to network European new materialisms: how do they look, and what can they innovate?

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GENERAL INFORMATION

Cinema Comparat/ive Cinema is a biannual publication founded in 2012. It is edited by Colectivo de Investigación Estética de los Medios Audiovisuales (CINEMA) at the Universitat Pompeu Fabra (UPF), and focuses on comparative cinema and the reception and interpretation of film in different social and political contexts. Each issue investigates the conceptual and formal relationships between films, material processes and production and exhibition practices, the history of ideas and film criticism.
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