The Movie with a Thousand Plotlines – The New Yorker

New Yorker article on interactive cinema…. from Delicious: http://ift.tt/2jP6ALx

Storyspace Primer

Howard Hoakley’s expanded index to his documentation and examples of using the lastest iteration of Eastgate’s sem

Storyspace: Storyspace

Mark Bernstein has dusted off Storyspace for osX. We can now call this software venerable. Already got my copy: Storyspace –

Digital Humanities Book

From a (widely circulated) email from John Cayley: Digital Humanities and Digital Media: Conversations on Politics, Culture, A

Nomadic Circles

A recurring theme of the book is that most of our media forms and practices are teleological. They are materially so, since th

Waves of Misjudged Wonder

Interestingly, in hypertext theory (and what I am noting here has been reprised also in theoretical writing on interactive cin

Endings (part one)

Softcopy is a material change to writing, perhaps the most significant material change to writing since the rise of popular li

Rock, Hard Place, The Open and Constrained Writing

It was Sunday night, and we were off the reservation down at Venus Bay, squatting in a friend’s holiday house. Venus Bay

Korsakow and Dense Nodes

In network media I discussed small world networks, dense nodes, and so on. A korsakow film is exactly this sort of structure.

Korsakow and Hypertext

Found this from a static site from 2010 or 2011. This is about Korsakow as hypertext, not the linear singular link node notion

Memory Machines

Melbourne based (Swinburne) academic Belinda Barnet's history of hypertext, " Memory Machines: The Evolution of Hypertext "

The Triumvirate

The second is facets, where the ability porousness of the parts to itself are trivialised into menus of choice, even where suc